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Basic Copyright Law Principals
Copyright law
has traditionally been viewed as a balance between the rights of copyright
owners to profit from their creativity and the interests of society to learn
from and build upon their works. The U.S. Copyright Act is based on the U.S.
Constitution which provides that "Congress shall have the power . . . to
promote the progress of science and useful arts, by securing for limited
times to authors and inventors the exclusive right to their respective
writings and discoveries." The Copyright Act protects "original works of
authorship fixed in any tangible medium of expression" and may include
literary, musical, dramatic, pictorial or architectural works. Ideas,
procedures, processes, systems, methods of operation, concepts, principles
and discoveries are not protected by the Copyright Act, regardless of how
the subject matter is embodied in the work. (These areas are typically the
subject of patent protection). Also, works not fixed (improvisational
speech), titles, names, slogans (trademark protection, if anything), and
facts without original authorship (calendars, height & weight charts, tape
measures, etc.) are not copyrightable.
The copyright
owner possesses the exclusive right to (1) reproduce, (2) prepare derivative
works, (3) distribute, (4) perform publicly, (5) display publicly and (6)
perform by means of digital audio transmission sound recordings. Copyright
protection vests in the author immediately at the time the work is created
in a fixed form. No publication, registration, notice or other action is
required for copyright ownership to vest, but distinct advantages are
associated with registration and the placement of notice on the work (e.g.,
?2001, Indianapolis Public Schools). Some works are owned by the employer by
operation of law. A "work made for hire" is a work (1) prepared by an
employee within the scope of employment or (2) specially ordered for use as
a contribution to a collective work, as part of an audiovisual work, as a
sound recording, as a translation, as a supplementary work, as a
compilation, as an instructional text, as a test, as test answer material or
as an atlas, if the parties agree in writing.
The
copyrights in works created after 1/1/78 endure for the author's life plus
70 years or, for works made for hire or anonymous or pseudonymous works, 95
years from publication or 120 years from creation, whichever is shorter. For
works created and published before 1/1/78, there is a complex renewal system
now in place.
Generally,
anyone (including instrumentalities of the state, such as schools) who
violates the exclusive rights of the copyright owner is an infringer. The
copyright owner must show (1) ownership of a valid copyright and (2) copying
of original elements of the work. Since direct evidence of copying (e.g., a
witness) is rare, the copyright owner must usually show (1) the alleged
infringer's access to the copyrighted work and (2) "substantial similarity"
between the copyrighted and allegedly infringing works. Generally, a
reasonable "opportunity" to copy constitutes access, and showing of access
is not needed if the allegedly infringing work is "strikingly" similar to
the original. "Substantial" similarity requires something less than
identical copying, but more than trivial similarities. "Substantial
similarity" is determined by the "ordinary observer" test which asks whether
an average person would recognize the alleged copy as having been copied
from the copyrighted work.
If
infringement is proved, the copyright owner may choose between actual or
statutory damages (the latter only if the work is registered). The measure
of actual damages is the amount of damages suffered as a result of the
infringement and any additional profits of the infringer (attributable to
the copyrighted work). The court sets statutory damage amounts for each act
of infringement within the range of $750 to $30,000. If willful infringement
is proved, the court may increase the award to a sum of not more than
$150,000 per infringement of an individual work. If the infringer proves a
lack of knowledge and no reasonable grounds for having such knowledge that
the act constituted infringement ("innocent infringement"), the court may
reduce the damages to as low as $200. The court "shall remit" damages in a
case where the infringer reasonably believed that the use was a fair use, if
the infringer was an employee of a non-profit educational institution acting
within the scope of employment and infringed the work by making copies or
phonorecords. The court may also award attorney's fees and costs to the
prevailing party in the case of a registered work. Finally, substantial
monetary fines and prison sentences are possible for willful infringement (a
showing of intent is required) for "commercial advantage or private
financial gain" or by copying, within a 180-day period, one or more works
having a total retail value of more than $1,000 |
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